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Little Mix unveil new album ‘Salute’, preorder opens Monday 7th October

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X Factor pop band Little Mix have unveiled the title of their forthcoming second album, Salute, along with confirming the album will be available to preorder this Monday, 7th October.

The album is the follow-up to debut DNA, and is set to feature new single Move (below).

The tracklisting has also been confirmed as:
1. Salute
2. Move
3. Little Me
4. Nothing Feels Like You
5. Towers
6. Competition
7. These Four Walls
8. About The Boy
9. Boy
10. Good Enough
11. Mr Loverboy
12. A Different Beat

Sam Smith premieres ‘Nirvana’ acoustic

To celebrate the launch of his new Nirvana EP, acclaimed up-and-coming British singer/songwriter Sam Smith has premiered an acoustic of the title track.

And it’s simply wonderful….

Head over to iTunes now to cop the full EP – definitely worth its £2.49 price!!

Feature: Why the iPhone 5s’ Touch ID technology may just change your life

Words by:
Wayne Baxter

Ok, that’s a completely bold title that will clearly start the wrong kinds of conversation, however hopefully this article will at least question certain things and [hopefully] nod in some kind of agreement. This article is NOT here as a review of Apple’s new iPhone 5s (you can find the review here if you’re interested); it’s not there to tell you how fantastic it is, how great the camera is, how things just work etc etc… it’s here for us to explore a bit more into their new Touch ID system.

For those who may not be aware, Touch ID is Apple’s fancy new way of saying ‘fingerprint scanner’. As a tool, it’s really impressive, and intuitive. I like how third-party apps can’t gain access to the Touch ID data; I love how easy it is to unlock the phone and purchase content from the various Apple stores.

But then all this touch tech got me thinking….

Just over a year ago, in July 2012, Apple purchased AuthenTec for $356 million. They were the pioneers of mobile security technology, and for Apple essentially, they had the capabilities, knowledge and skills to make Touch ID a reality.

However, regardless of the $bn’s Apple retain in cash stock-piles, the $356 million is still a huge sum of money, particularly for a feature that the public really aren’t hugely bothered by. Let’s face it, Apple would have still sold the same amount of stock on launch if they replaced the Touch ID sensor with a higher-resolution camera. So why invest in this technology?

It’s been almost five years since ‘contactless’ payments, along with NFC, became available in the UK – the method of touching your debit card against a reader without having to put any formal identification in. Whether you advocate this or not (we do!), it’s changed the way people shop, whilst the worry of security has yet to come into it.

However, whilst other mobile handset manufacturers have been quick at getting NFC (near-field communication) into their own devices, Apple have stayed firm and this feature hasn’t been included in their current range of handsets (or tablets). This, however is where they currently sit in terms of sharing data:

1. Pass information between iDevices? Yes = AirDrop
2. Pass data onto third party vendors? Sort of – in parts with Passbook.
3. Mobile payments? Unless you consider elements of Passbook, then no.

Mobile payments are becoming more a way of daily life, especially for those ‘capital city-workers’. With Visa already having access to Android’s NFC devices, owners of various Samsung / HTC devices don’t have to think twice about using their handset to pay for goods. However where does this leave Apple, a firm who seem to resist NFC technology?

Well they haven’t resisted the technology, they’ve just built their own… kinda. With Touch ID.

We believe that Apple’s Touch ID is the start of a new mobile payment ecosystem, designed to rival not only contactless payments, but generally create the need for, in life, to have just one login for all your personal information. Your Apple ID.

A majority of App Store/iTunes users already have their Apple ID linked to their bank accounts. Now, iPhone 5S users who use Touch ID now have their finger print linked to Apple ID. We believe it’s not long before Apple start delivering Touch ID payment systems to merchants. In recent tests, the technology has shown itself to be impressively secure, and whilst there’s little doubt regarding the convenience of NFC payments, there’s still the wonderment regarding the ‘what if I lost my wallet’? I can’t remember the last time I actually took cash into a Starbucks, instead opting to use my Starbucks Passbook facility for sheer convenience (as well as loyalty points). However there’s that ONE drawback of still having to log online to increase my balance when it gets low. Passbook is easy, sure, but it’s not without that hindrance.

Obviously what we’re mentioning here is purely speculative, and not based on ANY facts or anything that, well we believe anyhow, already exists in the public domain. However considering Apple’s huge investment into the technology, there’s very little reason why the tech should be just suited to mobile devices.

“But Apple have no experience in the payment market” we hear you cry…. Well, let’s turn the clock over the past 10 years or so:

2003 – Apple enter the music merchants market [with iTunes] with no prior experience in this arena. They not only succeed but end up creating an entirely new category.

2007 – Apple enter the mobile phone marketplace with no prior experience in this arena. Microsoft COO Steve Bullmer famously said “$500, fully subsidized, with a plan! That is the most expensive phone in the world and it doesn’t appeal to business customers because it doesn’t have a keyboard, which makes it not a very good email machine.”. Apple’s creation of an entirely new form of smartphone changed the industry and the iPhone is still the biggest-selling single smartphone on the market.

2010 – Apple enter the tablet race with the iPad, with no previous Tablet experience. No need to say what happened there.

Now, whilst they may have no immediate entry into the payment system, we mustn’t forget, that Apple, as a technology company, still have the knowledge and expertise to build some of the best products on the market. Additionally, Apple’s products are fairly straightforward in terms of usage-ability ; their ‘out-the-box’ appeal has definitely aided mass success.

Additionally, in the UK at least, fraudulent instore transactions cost 0.07% (ie for every £100, 7p is fraudulent). Whilst that number may seen low, in all retail spending in 2012, £341m was fraudulently spent (in the UK alone).

Having finger-tip purchasing would not only boost speed and convenience for the consumer, but for merchants, the opportunity of risk of fraud decreases dramatically.

We’ll have to wait and see what comes from this, and whether Apple indeed make it into a reality, however one thing’s for sure, Touch ID is here to stay.

New music: Lauryn Hill – ‘Consumerism’

To mark her release from prison after serving three months for tax evasion, Lauryn Hill has premiered a new track, Consumerism.

Bar this, and pre-prison track Neurotic Society, Hill has been fairly absent from the music scene of recent years; a failed Fugees’ reunion in 2007 followed her groundbreaking LP The Miseducation of Lauryn Hill from 1998.

To coincide with the release, Hill released the following statement:

“‘Consumerism’ is part of some material I was trying to finish before I had to come in. We did our best to eek out a mix via verbal and emailed direction, thanks to the crew of surrogate ears on the other side. Letters From Exile is material written from a certain space, in a certain place. I felt the need to discuss the underlying socio-political, cultural paradigm as I saw it. I haven’t been able to watch the news too much recently, so I’m not hip on everything going on. But inspiration of this sort is a kind of news in and of itself, and often times contains an urgency that precedes what happens. I couldn’t imagine it not being relevant. Messages like these I imagine find their audience, or their audience finds them, like water seeking it’s level.”

Pink unveils ‘Walk of Shame’ video

Pink has caught her fans by surprise by unveiling a video to new single Walk of Shame, totally out the blue.

The track, taken from Pink’s latest album The Truth About Love, is set to be released primarily in Australia (which makes pure reason as to why the star’s VEVO & YouTube accounts have blocked the video being shown elsewhere), however other sites have managed to make duplications of it (which is the one you see here).

Check it out and let us know your thoughts!

Album review: Miley Cyrus – ‘Bangerz’

Words by:
Dan Bull

It might have escaped your notice – she’s not making a big deal of putting it out there – but Miley Cyrus has grown up. She hasn’t been Hannah Montana for some time now, but she isn’t even the Miley Cyrus of her previous three albums anymore. The hair has gone, the clothes have gone, so exactly what can be expected from Bangerz-era Miley? (Aside, of course, from an almost permanent impression of The Rolling Stones’ logo and constantly working “twerking” into our everyday vocabulary.)

Debut single, and surprise number 1, We Can’t Stop ensured there was a strong base for Cyrus’ new sound; a laid back anthem that hinted at a more mature sound, but did suggest that the first rule of her party – where she could do what she wanted to – was to confirm that it was not a Party In The USA sort of do. Of course, a certain performance of the song would emphasise the control Miley now feels she has over her career (she acts as Executive Producer on the album, and has co-writer credits on 10 of the 13 tracks).

Surprisingly for an album with a title that appears to brag of big, bold, erm, banging anthems, it actually opens with a ballad; the stark and simple Adore You. It’s successful in highlighting Cyrus’ undeniable strong vocal, which, following a line about “standing with a man armed with weapons”, is perhaps the weapon she has brought to bang with. There are more Balladz in the form of second single Wrecking Ball, with a video Miley claims to be influenced by Sinead O’Connor’s Nothing Compares To You, however the track that precedes it, My Darlin’, has more in common with the iconic power-ballad; albeit an updated version in sound and context. A recent war of words means we probably won’t get an unlikely duet from the two.

The actual banging Bangerz kick off with the Britney featuring SMS; a bass-heavy track with hints of grime, however its lack of a strong melody makes it the sort of grime you might wash away and forget about. With the big names behind her, the Bangerz bang better; 4×4 (feat. Nelly) merges his country grammar with her country music roots, #GETITRIGHT (written and produced by Pharrell) features an undeniable Neptune-esque repetitive beat, while Do My Thang (a will.i.am collaboration) is another highlight, following their duet (Fall Down) from his latest release. With strong hints of each collaborator’s trademark styles merging with Miley’s vocal, too many cooks obviously works on this Bangerz broth.

Drive, with it’s droning undercurrent, could have been a Stronger-era Britney single, and with the absence of her driving so fast she pisses herself (see 4×4) could fare well as a single. With an intro to rival I Will Survive and the angry keyboards stabs of Delilah, FU is one of the more original Bangerz; another duet, this time with French Montana (no relation to Hannah, apparently) and one of the more memorable moments.

While the album’s release has been surrounded by controversy, there are moments that remind you that Miley Cyrus is young – yet experienced in the world of showbiz, a product of Disney – yet clearly talented when it comes to hearing a hit, and able to make her own decisions – no matter how many open-letters are written by Sinead O’Connor or anybody else. “I’ve turned into someone else” she sings on closer Someone Else, a downbeat future-disco anthem with electric ticks and a bass-heavy breakdown. It’s one of the better Bangerz, though yet again, not a conventional one.

Bangerz is successful in reinventing Miley Cyrus, and is one of the strongest, and most publicised pop releases of the year to date. How it will be remembered now depends on Miley (or, perhaps, the team behind her), and whether her controversy means she’ll be belting out the Bangerz on a Gaga-sized tour, or banging cars with an umbrella a la Britney.

Listen to Groove Armada’s ‘Live In Moscow’ set

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In preparation for the release of their new material, Groove Armada recently unveiled their stormbreaking set from Moscow last week.

Check it out!

Geri Halliwell unveils new single ‘Half of Me’

Spice Girl Geri Halliwell has unveiled her new single Half Of Me, live on the half-time break of Australian sports programme The Footy Show.

The cringeworthy performance set social networks into a spin, with many calling the track ‘unsurprisingly weak’, ‘pointless’, along with scathing Halliwell’s vocal abilities, with “She’s never had a great voice and never will”.

Ouch!

Take a watch for yourself and let us know your thoughts.

Eminem goes behind the scenes for ‘Berzerk’ video

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Eminem has unveiled the first of a multi-part behind-the-scenes look for his latest recording Berzerk.

The track, the lead single off next month’s MMLP2 album, has been eagerly-awaited due to its homage to hip-hop of yesteryear.

Check out part 1 of the BTS video, where Rick Rubin describes more about Eminem’s focus for the track.

New music: Chase and Status ft Jacob Banks – ‘Alive’

Chase and Status have unveiled an absolutely epic track from their forthcoming new album Brand New Machine.

Alive, which features rising UK star Jacob Banks, is the closing track from the dance supremo’s Brand New Machine, due out on Monday.

We’ve heard most of the album already, fans are in for an absolute treat – check out our review here, and hit the iTunes button below to download Brand New Machine, now.