Live review: Lauryn Hill hits London’s O2 Brixton Academy

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Lauryn Hill marked her return to London after an almost five-year hiatus last night (20th September), dividing the crowd at the first of several sold-out shows around the UK. ***SPOILER ALERT*** Now, first and foremost, this is one of the more 'interesting' live reviews we've done...

Album review: Chase and Status – ‘Brand New Machine’

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The past 12 months have been fairly exciting for the UK dance scene; not only has Britain produced some of the biggest musical exports of the year (Rudimental, Disclosure and AlunaGeorge to name but three), but with a new wave of artists also appearing...

Justin Timberlake – The 20/20 Experience

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There are times, understandably rare, when the release of a new album is considered an event more than anything else. Justin Timberlake's return to music is one of those times.It's been almost 7 years since Timberlake's previous solo effort, the anthemic 'FutureSex/LoveSounds' was released....

Album review: Dizzee Rascal – ‘The Fifth’

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Words by: Dan Bull Follow @DanBull7609 !function(d,s,id){var js,fjs=d.getElementsByTagName(s),p=/^http:/.test(d.location)?'http':'https';if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=p+'://platform.twitter.com/widgets.js';fjs.parentNode.insertBefore(js,fjs);}}(document, 'script', 'twitter-wjs'); With a list of featuring artists that could rival the latest NOW compilation, Dizzee Rascal’s fifth album (aptly titled The Fifth) emphasises the fact that the one-time face of (what are generally considered), underground genres, has no...

Live review: Basement Jaxx, Brixton Academy

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Who said big girls can't rave? When Basement Jaxx come to town, you know you're never going to be disappointed; they're one of the rarities in the music-world who could play the same set year-in, year-out, and the crowd would never tire - interestingly, the...

Album review: James Arthur – ‘James Arthur’

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There's an unfortunate issue that faces James Arthur. For those who may not be acquainted with Arthur, the singer-songwriter became the shock winner of last year's UK version of hit TV show The X Factor. Shock not due to his talent , moreso due...

Album review: Janelle Monáe – ‘The Electric Lady’

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The classification of 'R&B' really has been thrown back and forth over the past few years. In the late 90s/early 2000s, a period some regard still as one of the defining and golden ages of the genre, it seemed US urban artists thought hard...

Album review: Gary Barlow – ‘Since I Saw You Last’

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Words by: Dan Bull Follow @DanBull7609 !function(d,s,id){var js,fjs=d.getElementsByTagName(s),p=/^http:/.test(d.location)?'http':'https';if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=p+'://platform.twitter.com/widgets.js';fjs.parentNode.insertBefore(js,fjs);}}(document, 'script', 'twitter-wjs'); The majority of us last saw Gary Barlow's solo performance on Sunday’s The X Factor, following his stint as the country’s most in-demand concert organiser (breathing new life into both Children In Need and, at the opposite end...

James Blake – ‘Overgrown’ reviewed

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That difficult second album is always one that separates a singer from an artist; high expectations can either produce a follow-up which goes down quicker than the Titanic, or venture up the scale, allowing the artist to pull off a career-affirming addition to his/her...

Review: Has Disclosure’s ‘Settle’ reinstated the UK’s love of house music?

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What 'house music' has become over the past few years really has been a convoluted affair. With genre off-shoots still falling under the 'house' moniker (dubstep, dance, EDM, even electro-pop etc), it's become increasingly hard to identify what exactly should be classed as 'house'...